Teiets ste ate 
iy gt fatty 


yt 
4 

1h 

its 


o 
5 ae 
nt 


asl 
sate 
iat 


~ 


Daviau 


bu 


it 
Tate tele 
rata 

itty 


Sis 


efoivicte! 


Fee opis eet 


of 
i 


ne oe ne Es fee ee 


f 


i 
atts 


4) 


= 


Rgetar tires 


rahe Pinsess 


Em 


y 


Se 


Report of appraisers for purposes of general average ro damge paintings 
belencing $0 the Fisu Of Devoe brothers on teant the steuushty ‘i a 
Newanbar, 1914, Fellevel in the onlar of the extalague ae pF 


"(called Pollatuele, 


Nae 4, Piatt Francegeo Florentine, 


Nee So Haxiotte Albortinelli, ““iadoana and Child", 
(Possibly Sehoel Fietara | Total Less, 


Hae 6. Cosimo (01 Loranse DA Filippe) Roseelld, “Taras and - > 
(Possibly Seheol Pieture Sb, Joka and Gadebs 


3 | Original value $3,000 tos 


Ne 8, Faul Fotter, “Landscape with Cattle", 
Original value so psecgag 


Hee %  Aelbort Cuyp, “the Flight into Sgypt". 
Original value 120,000 fy, 
Damaged 25% 


Noe 10, Aalbert Cuyp, "Oxon in a Shed", 
Original value 50,000 Fy 
‘Qlowance for sentimental damage 9% 


ugh 6 te fr of Doan etre on bak Ah ey kn 


er ae caiaaals be 
| Total Lege. 
Tem WERT te Ree 


al value Lapoasible +e 
Total loss, 
"aria 9 and Bn with St, John". 
“-* Damaged 297 


Yirgd wi Caild with Sainte’, 
Original value 75,600 Fy 


ee ee oe. ee ee 
ce 
ite a 


Dane ged ‘os 
“Madonna and Child", 
‘ | | tetal leas, 
Nes 6 TUN, ts indie Me Peined Meeeekits Py ay yor 
3 (Pesaibly Soheol Pieturd St. Jol and Sainte", 
Damaged 25 
Nes Te dacopo Del Seldaje, "Prat Seene", 
| original value 53,000 Fy 
Damaged 10% 
No. 8 Paul Potter, “Landscape with Cattle", 
Yriginal value Say B00 te 
| Damaged 10% 
Hog % «= Aebort Cuyp, "the Flight ixto Sgypt", 
ia Original value 120,000 fy 
7 Damaged 25% 
, Ne. 10, Aelbert Cuyp, "“Oxen in a Shed”, 


Original value 50,000 Fy 
Allowance for sentimental damage 5% 


GO le gh + Mb Re 
‘ ye : 
2 zis 


Hee U2, 


Ne, 13, 


N@e 14, 


Sir Thomas Laerenes, F.h, A, 
(school Picture) 


Sis Joohue Reynolds, PRA, 


Sir Anthony Van Dyok, 
(Picture of the pericd, 
(not by Von Dyek.) 


Peter Paul Rubens, 


Allowance for sentimental damage 57% 


5 


eo Mh ail eed: AOU AI CLARET Ih, ca a ro aay PPL ay PT TE | 


DUBIG 


SELL | HIGH. 


Former’ “River Me thane Brings 
. $7,100 and Latter’s “L’Tang”’ 
_ $7,000 at Plaza Sale— Total 
for Eighty Pictures, $58,655 


| HE: sale. of pictures that took 
place in the baliroom of the 
: Plaza Hotel last night proved 
} to be the most interesting and im- 
| portant event of its kind that has 
. taken: place this season. <A large 
' group of art lovers and connoisseurs 
| filled the room, and in’ the end the 


» bidders paid $58,655 for the eighty © 


ea treasures that were: offered. 

»Thomas H.: Kirby, of ‘the Ameri- 
(ean Art Association, conducted the 
Sale, which was at‘: many times ex-| 
' tremely: animated. ° Sevéral pic- 
tures were eagerly sought, and one 

canvas, iLandseer’s. “‘The 
Duke and His Dog,” was bid from 
$800 up to $820, largely in’ ten-dol- 
lar bids, before Albert &. Smith 
: res allowed to obtain it. 

“There was animated bidding: also 
eo Daubigny’s landscape, ‘“‘The 
‘River Thames,” that finally went to 
"F> R. Welsh, of Philadelphia, for 

$7,100.' It marked. the high price 
for the sale. 

Corot’s painting, “L'Fang,” was 
also another source of great inter- 
est in the first part of the sale, and 
came within $100 of the high figure 
of the night wos Michael Dreicer 

_ eecured it. 

Of course the : Geromie pictures 
were one of_,the features, and Mr, 
Kirby Several times declared that 
the day of this painter: would re- 
turn. He characterized him as one 
of the very staple fipures as far as 
his works were concerned in the 
art world. No less than twelve 

, of these were offered to the bidders 

; and eagerly. sought..in. most = in- 
stances. John H. Fry ‘bought the 
notable “Le \Marabout” for $1,050. 
The very striking “Jew Praying at 
Solomon’s Wall” sold for $650 to 
Otto Burnett, 
an agent. 

The painting of . Alma-Tadema, 
“The Sculptor’s Studio,’ sold to 
John, Levy for $2,700, after’ many 
had disputed his. possession of it. 


The pictures, purchasers and 
habe paid follow: 
1—‘"“‘By the Side. of the River,’’ 
by Stanislas Lepine, to Durand 
GNA RUG GT i ites Paes Mh eee eee $110 
2—“‘Landseape with Figures, ate 
tributed to George Morland, to 
Wiehe OV ERIALGaia tet, cle sapeeer ds 30 
8—‘‘In the Country,’’ by Henry 
Pember Smith, to J. O. James. 90 
4—‘*‘Les - Deux Amis, ”* by John M. 
Swan. A.- R. A.. to Holland 
OH 1A EERE TY ORG hig thie ay eran tibet abed ves 
5—"'The River heh ”” by J. M. Ww. 
Turner, R. A., to J. ‘P, Berliner 130 
6-—*' Picket Duty,” by Paul Louis 
Narcisse Grolleron, to George 
PYG aie a Sale’ oil ake a aia ae REO atk 210 
{—''The ~Bugler,”’ by Edouard 
Detaille, to Knodler & Co isseus 250 
8—‘* Weary Horse,’ by Adolf 
Schreyer, to George Fearing. . 520 
9—“Over the Wall,’’ by Paul Louis 
Narcisse Grolleron, tO Hs os Si 
WAALS 3 a tarie eis a ae geod atic 200 
10—‘‘Interior,’’ by Alexandre Gabriel 
Decamps, to Ay Schulthels...... 500 
1i—‘‘Hungarian Peasant. Wagon,’’ by 
Augnete. yon Pettenkofen, | to 
SOREL STURT Yak Ma Oalb alae dic yi 
12~—"The Oaks;’’ by Theodore Rous- 
seau, to J. Ol Famese fhe hikes 375 


ei el wi 


Young 


who was acting as - 


NY AND, 
‘COROT ART. 


| 


oa 


bg 


polyte Camille Del ¥ 

Btke, JP. coke ee ae ver ee : a 
23—‘‘Constantinople.’’ by ‘Felix mor 
Bo); Zien, to MB,’ Philling: 2, uy cy aaeems 
- 24—‘'And Ideal Head,” rg pide he Aas 
13 J. Dagknan-Bouveret, to "Charles Ogee an 
& Dittman: sos. sreneees) 250 3 
25—"‘On the Boulevards,’> by deans = 70%) 
Francois Raffaelli, ‘to George = 
Wearing vs suasas Ane REAM "oan 
_26—"sNoctume,”? by : Ne 
to George Ru ppert. . pees) BIB 


we 


30—‘“‘Sorrow of 


a re ar CN Me igs sue 
41-—"'Ideal fend! by tegen 
Jacquet, to. Burnett ; 
42“‘On, the St Feanan eg aa * 
He egal de Mi oe to 8. 8. 
43—""The Seu; tore 's ‘Shidio,# “by’ 
Pe -quren Alm adema, bse oak 
44—“‘Unfolding Holy Flag," zy Jean a 
Leon Gerome, 1 pala jena Zz 575 S! 
3 pil Speer eg ae he ae eS on Re fey sae tes) 
45—“‘Faun and aoa my te : ind 
iam gcolpie Bouguereau, to HE, ce 
: 46—“Roman. AC ae nin ak 
phe Leon A 525 
47—'Portrait, A’ Youn eee et by i 
= io datares Jacquet, to 825 ey 
- 48-—“The Tomb of the | sults nit by 
ee Gerome, to Bursett 
40 Miothen's "Return oy akg SP 
» Chure agen: ; 
50—'‘Sleeping “Pea mane Girt: Mt i a 4 
pices olphe Breton, to.G.:. He: ae 
R po ae by the itive by Bete as : 
way Knig us 
 52-—Landscape by Julian. “fin es oe 
Jes Wile ops 375 | 
Sa Che teats Le suo d oH 
es Dupre, to Berne af) F 
54— Anplish landseape, by go, ey 
Boughton, N, A., fe a to. fy: 

‘ net, agent toca ares eis 180 
55-—‘ ‘Tew Praying | “Solomon's mi : 
Wall,’ by Jean Leon Gerome, to. 

Bernet, ASCRE es csi iae AAA oe 
» §6—**B 


E 


& 


be ueia’ 
*49—"Fallen “Aalbops 
 20—"At ‘the Brook,’’ by Jean Bi 


» 22—Landscape with River, by 


larpignies, to Geo, 
7 btang,” by Jean Baptiste” 
ene, tanee to Michael Drei- 
18—"“Gathering “Wild “Plowets,"" “by 
Giovanni Boldini, te. ‘Knoedler & 


cae cece ee ee 
by 


7,000 


Josef is: 
_raels, to Knoe es DOr COLL Ney 
a “eas paper to Burnett. ae trae Na 
—Landscape by Henry Bar ex.” 
to Stephen Broch irpjgni : 
a 


rote ; 
“ba Sheep jin Stable,’’ by Ch ee ar) 
Emil Jacque, to A. Levy...:. yi 
29—Landscape: 
Charles Francois . niger 
Be) Ri Welshv ee oeaaeeae 


Apia ‘by z 
Leon Gerome, to a hig 
3i—‘‘The -Empress Mb ag ‘an 
Artist in. his © Studio, 
Adolphe ~ “Montecelli, ue srui 
32—‘'An Evening Party,” OF 
Beraud, to S. S. Carvalh 
83—‘Approching - “Storm 


rey Bogert. te Schul 
34—“‘Looking Over Little — 

Cohasset yeseachu dete 
f a Smillfe, N. to Ss. 


Me ating. 


S8—‘ Mawnan pe 
ee falda Snuleaa 


Sos cease 


Henrhn 
Ellis, In « “uo : 


“The River Thames, pai res 


ok et ngs 


the Sea,” bi Claude hc ae 
to Durand & Reu if Pate Mote, 1,800 
57—"“Bramus Dictating to His Sec- 


Pats walen Baro enri. Leys, to | 4 
58—‘Custion Leaping Into the "Gulf, a bea 
by ha Le SEES to John i! 
| fo hice Island,’’ by “Frederi Wy 
‘ Ballard Williams, to ck SAME 
Seward saunas wees Gece 800 
60—‘‘At the Sultan's ‘Tomb, % by Jean is 
eon Gerome, to L. Hooker... 3875 
€1--‘‘The Falconer,” by * ag Fro- ees 
mentin, to S. 8. Carvalho.... 675 
62—‘‘Moonlizht,?? by Ralph Albert ; 
Blakelock, N. ‘A., to J. Van 
Houten). oe aaa y owen y cunts 250 
63— “Waiting,” by Gai Gari Melcherg, N. , ; 
A., to O. V. Seward... iis. ssc. 7 
64— Mondlight, me by. ‘George H. Bo- ? 
gert, to Seaver, agent a seve ODO. 
65—“Siena Cathedral, ze by ‘Sir "Wyke ; 
Bayliss, to. F. R. Walsh......... 425 
66—*'The Sentinel at. gris Sultan’s 
Tomb,’? by Jean Leon Gerome, to» 
Knoedler ee sag Ree Set 


KE USS 
a sa ee 


a? Richmor : 
“Bazaar, jae We Be ; 


"sre. | 
t, the first session. ‘one We ment ce 
Hoe sale of Oriental porcelains in the 
erican Art, Galleries in the atfter- 
on a total of 11,860.50 was realized 


| noon: 

for 142 lots, Frank Partridge paying 
the highest price of the session, $580 for 
Le Pagel jar of the K'ang-hsi period, 

and F. R. Welsh gave $510 for @ Sreen 
"jade vase of pilgrim-bottle shape, 10% 
inches high. The final bakes Rees 
fs Pisce eta atieriogy. lah a ea 


bide 
piven ear work by 3 s 
rahe Ruel Hits Ae 


ong © eis, Dictires which | brought, 
500 or more, with the none name, | 
ihe title, the buyer’ s name and he. price 
were: 
Adolph ' Schreyer, “Weary Horse.”’ George | 
| Fearon, $520; A. C. Dreamps, _‘‘Interior,”’ | 
Henry Schultheis, $500; Adolph | Schreyer, 
| ‘Arab Horsemen,” Herman Katz, $525; Marie | 
Dieterle, ‘‘La Vache, Blanche.’’ W. W. Sea- | 
man, agent, $575; enri Harpignies, ‘The | 
Farm House,’’ George A. iG Jr., $600; | 
| Josef Israels, ‘‘Fallen Asleep.’?’ M Knoedler 
& Oo., $1900; Henri Harpigntes. “Landseap 
Stephen Birch. $ sie Ad L. Gerome, ‘‘Fay- 
oum,’’ George Ruppert, $575; Charles EB. 
ils dp “Sheep ng Stable,’’ A. Levy, $575; 
L. Gerome, ‘‘La Maraboul,’? Henry H. Fry,’ 
| 1050; ‘Fritz per, “The neni m FP. a 


 eott: a erome, “Unfold 4 
Hoy Blin We H. a d, $575. oe 
Be AR, Sk. igh ee ce MRO tier 


ges Po Sie: 


the canvas 
at ] 


pa ns 
1m. ori ee tly JSS calico of | 
I le Schoen, of Worms. The pur- | 
chaser last night was Michael Dreicer. 
cis s Dictating to His Secretary,” | 
“by | < Festa nie, to FL . =| 
Wel rt $3,100, and John Lé ioe 
go, 700 for “The Beulptor's Stud a,” 
Alma Tadema. otk 
Josef Pi anoky? s bid of $750 was. the 
highest for von Pettenkofen’s “Hun- | 
pene Peasant Wagon,” a panel, and | 
jhe also gave $325 for SF eked Group,” 
| by Monticelli. The Knoedlers gave $1,- | 
1900 for Josef Israels’s. “Fallen Sheep” | 
j and $850 for Gerome’s “The Sentinel at 
j the Sultan’s Tomb.” “Lioness,” a re-| 
| markably striking picture by Rosa Bon- 
| heur, was sold to Otto Bernet, as agent, 
for $1,100 
roe: lowing are the paintings that 
brought $500 and over—title and artist, 
| buyer, and price: 


‘interton: ** Decamps; Henry Schulthels.... $506 
“Hungarian Peasant Wagon,’ Von Pet i 
kofen; acres Stransky. Fe aie iakel doe gata ie Ai 759 
“Arab Horseman,’ Schreyer: Herman Katz. - 525 
eemeel ene Blanche,” Piers: W. W. Sea- 


“tho. Farmhouses,’ “Harpignies ; GA; Ellis, 
“fy Mang” Color MO Die kt Laue 


6 

0 
“Fallen Asleep. ’’ “Israels; i Knoedler.... 9 
“‘Landseape,”’ Harpigntes; 8 g BAH ees an ¥ i 
5 

1 


Sey ete eee 


“‘Fayoum,’’ Géréme; George’ Ruppert........ 

“Sheep in Stable,’ Jacque; A. Levy,..... 

‘Landscape: The River Thames;’’ Daibiany: 
Lh an Wel te SFiginie Rava's Wee NE Wop ca aoa a wens, CORALS a, 


Qo Anacooo 


hk aan he 
ahs eee 
Dh aPEP son ' 


ERB MTS 


tL wy + 


ON FREE PUBLIC VIEW 


AT THE 


AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING MONDAY, MARCH Ist, 1915 


AND CONTINUING 
UNTIL THE DATE OF PUBLIC SALE, INCLUSIVE 


AN IMPORTANT COLLECTION 


OF 


VALUABLE MODERN PAINTINGS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON FRIDAY EVENING, MARCH 5rTH 
BEGINNING PROMPTLY AT EIGHT O'CLOCK 


IN THE GRAND BALLROOM OF 


THE PLAZA. 


FIFTH AVENUE, 581TH TO 59TH STREET 
NEW YORK 


I tb ha 
the 

McMand, - 

Limes 9. Tanke 

Lia ttn 

Shs. arch ele. 


Th, 
te? 


ILLUSTRATED CATALOGUE 


OF 


AN IMPORTANT COLLECTION 


OF 


VALUABLE PAINTINGS 


BY MASTERS OF THE BARBIZON, CONTEMPORARY 
FRENCH AND AMERICAN SCHOOLS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


FOR ACCOUNT OF THE ESTATES AND THE PRIVATE OWNERS 
SPECIFICALLY STATED IN THIS CATALOGUE 


IN THE GRAND BALLROOM OF 


THE PLAZA 
ON THE EVENING HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET 
OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 
6 EAST 23rp STREET, MADISON SQUARE SOUTH 
NEW YORK 
1915 


eA i te a an Lene cn sa << cies 


Mes 


' 
= 
4 
ae 
. 
i 


lb iy Ms 
m <x sro a + 
a 2, 
fet ts . = 
C9 iy: 
+ € ig ly 


y 
- eek ‘ 
- / 
’ - * p 
* A ms ey ad >. 
: * 
a a as 
= 
. 
~ - » 
> 
pee & BEG ete Chak we * 


Deas THE AMERICAN ART ASS 
i? hs ide AUDESIGNS 1 DS-OA TALOGUESE 
) i | ALL DETAILS OF ILLUS' 

| ; | PLEX TAN D iy POG! 


cA 
if . 
aig 
2 
: > 
Bd 
re “ > : 
: 
: 
; 
z: i . 
~. C4 
: P e 
» “ 
is 
5 “ é 
. ! “ 
3 : 
r 
‘ 
; 
a 
ve 
\ 
' 
4 
= 


CONDITIONS OF SALE 


1, Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
-.purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon SATE 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and I P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P.M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5, Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “‘as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. 


SPECIAL NOTICE. 

Buying or bidding by the Association for responsible parties on 
orders transmitted to it by mail, telegraph or telephone, will be faith- 
fully attended to without charge or commission. Any purchase so 
made will be subject to the above Conditions of Sale, which cannot 
in any manner be modified. The Association, however, in the event of 
making a purchase of a lot consisting of one or more books for a pur- 
chaser who has not, through himself or his agent, been present at 
the exhibition or sale, will permit such lot to be returned within ten 
days from the date of sale, and the purchase money will be returned, if 
the lot in any material manner differs from its catalogue description. 

Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstanding. 
Not only should the lot number be given, but also the title, and bids 
should be stated to be so much for the lot, and when the lot consists 
of one or more volumes of books or objects of art, the bid per volume 
or piece should also be stated. If the one transmitting the order is 
unknown to the Association, a deposit should be sent or reference sub- 
mitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, 
will be furnished by the Association at a reasonable charge. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


EVENING SALE 
FRIDAY, MARCH 5ru, 1915 


IN THE GRAND BALLROOM OF 
THE PLAZA 


Firrn AvenvE, 58TH To 59TH STREET 


BEGINNING PROMPTLY AT 8.00 oO’cLOCK 


: STANISLAS LEPINE 
| i : Frencu: 1836—1892 


No. 1—BY THE SIDE OF THE RIVER J1o 
(Panel) eter = 


Height, 6 inches; length, 914 inches 


MAE ; 
“AT the bend of a narrow river ther through a French city 


some boatmen are tying up their barges, a woman and child 
are walking in the shade of some green trees growing near a 
wall, and other figures are seen. A bridge of three arches 
_ crosses the stream, and in the distance beyond it are massed the 
gray walls of tall buildings. 
Signed at the lower right, S. LEPIne. 
Owner, Mrs. J. H. Russewt. 


ATTRIBUTED TO GEORGE MORLAND 


@ ¢ 


No. 2—LANDSCAPE WITH FIGURES 


Bo ip Height, 91% inches; length, 1824 >4nche v, 


Pai Ke 4 ig 
On each side of the foreground is a bank of oe la Le 


gray and warm green rocks. ‘The one at the right is feathered 
near the base with red and gray-green growth, and crowned 
with tawny green bushes. In the central hollow are three 
seated figures: a man in red vest with his back to us, a woman 
facing him, and a little girl at the left of them. 


Signed at the lower left, G. M. 


j Collection of J. Abner Harper, New York, 1911, #41» $ 8- (6, Sn Khon fav 


Canin elk 


By order of Freperick P. Devarietp, Esq., Attorney for Owner. ae 


Britisu: 1763—1804 wT gg 


HENRY PEMBER SMITH 
AMERICAN: 1854—1907 


No. 3—IN THE COUNTRY 
(Panel) O | 
Height, 91% inches; length 13% in¢hes 


A Broapd American landscape is pictured, the land flat in the 
foreground, rising to low hills in the distance, and with many 
trees, standing singly and in groves and woods. In the middle 
distance is a yellow farmhouse with red outbuildings. At the 
right a figure is seen, and at the left in the foreground are 
three others, two in a boat on a smooth stream or pond which 
crosses the picture. 

Signed at the lower left, Henry P. Smiru. 


Owner, F. E. Cuurcu, Esq. 


JOHN M. SWAN, A.R.A. 
Eneuisy: 1847—1910 


No. 4—“LES DEUX AMIS” (LION AND DOG) 


ee 6th OIG Dp. 


Wdeoes Height, 7 inches; length, 1114 inches 


ON a gray floor against a brown wall a lion and a dog are 
seen lying down in a reserved and watchful amity. The yellow 
beast of the jungle is athwart the picture, with head turned 
squarely to the front, the canine nearer the foreground. 


Signed at the right, J. M. Swan (with a date or number). 


Purchased from L. Crist Delmonico, New York. 


T'o be sold to close an Estate. 


Seo 


J. M. W. TURNER, R.A. 
Britisu: 1775—1851 


No. 5—THE RIVER WYE ~ fee 


(No. 48 in the Liser Stupiorum) 
(Pencil and Sepia) 

( aid , 

Fa Height, 7 inches; length, 10 inéhés 
THE river extends back from the right of/ the foreground, 
where a nude man stands in the water to his waist, watched by 
another seated on the bank. 'The opposite bank presents a 
steep bluff which is crowned with the ruins of an abbey. In 


‘ the meadow, at the back of the seated man, are grouped three 


cows and ahorse. ‘The distance at the left reveals another reach 
of the river, passing beneath a hilly bank. 


Collection of Rev. Sebastian Bowden, S.J. 
Collection of J. D. Ichenhauser, New York, 1908, # 77 - g Ae Maga 6 Oe ! 


é ; Ch 
HOT ty FLV ae 
Collection of J. Abner Harper, New York, 1911, 7 2 - f TI b.— [Shracier for z 


By order of Freperick P. Dexarieip, Esq., Attorney for Owner. 


PAUL LOUIS NARCISSE GROLLERON 
oe bes. Frencu: 1848—1901 


No. 6—PICKET DUTY | Tyne Ye, oe 


eee 
ere Height, 161% inches; width, 1034 inches 


A FRENCH soldier in his service uniform of red trousers and 
blue greatcoat, heavy gaitered shoes and red cap, on outpost 
duty in a road along green fields, is seen peering around the 
corner of a high wall abutting on the left. He leans forward 
and gazes intently, and is seen in profile. 


Signed at the lower left, P. GroLtiERon. 


To ,be sold to close an Estate. 
» 


*  EDOUARD DETAILLE / 
i Frencu: 1848—1912 | 4 
J, tH \ yo 
WH | No. 7—THE BUGLER a ¥€ 
} 50 v ree (Water Color) ween eis q 
Wo’ Height, 11 inches; width, 634 inches 
s° Sot | 
A BUGLER in full uniform stands turned three-quarters from 


the spectator, toward the left, his head turned still farther to 
his left and face seen in profile. He is standing heels together, 
at keen attention, bugle under his arm. 


Signed at the lower right, Epovarp Derartte, 1890. 


Purchased from Boussod, Valadon & Co., Paris. 


T'o be sold to close an Estate. 


ADOLF SCHREYER ae 
ek 


_ German: 1828—1899 ran 


No. 8—-WEARY HORSE via 


| a Jc. ~ Height, 11 inches; length, 14 inches 


_A wHiTe and brown pack horse, laden, is seen at the edge of a 
pond where a stop has been made for drinking, his dismounted 
rider, a dark-skinned man in a cap and carrying a staff, beside 
fim. 

. Signed at the lower right, AS (in monogram). 


Purchased from Julius Oehme, New York. 
To be sold to close an Estate. A. Se! (Be 
id 


Pras. MA/b6 2 
t Sa | 
pS 


\ 
\ 


PAUL LOUIS NARCISSE GROLLERON 
Frencu: 1848—1901 7.0 oO 


No. 9—-OVER THE WALL 


De aed) or Height, 18 inches; width, ee 8 Me ae 
Across the picture runs a gray plastered gardén wall, mellowed 
with various soft colors under influences ofthe weather, and 
along its top ivy is growing. ‘The sky beyond is bright, with 
denser white clouds floating in it. Against it the active figure 
of a soldier on service is seen, coming over the wall. 


Signed at the lower right, P. GRoLLERON. 


T'o be sold to close an Estate. 


a 


Sor 


Se © 


ALEXANDRE GABRIEL DECAMPS 
Frencu: 1803—1860 


No. 10—INTERIOR 


06 Height, 91% wmches; wae 1234 nh 


Tue interior of a large church is shown; an altar is seen in the 
background. On the nearest pillar is a bDénitier, and a halberd 
or battle-ax leans against it. Old and younger women in white 
caps, one accompanied by an infant, read prayer-books or rest 
on chairs and benches along the wall, and at the altar rail peo- 
ple are kneeling and a priest is ministering. 


Gr are) ine, Signed at the lower left, D C. 
NC drrigg Jade, 1853, t t* 4, 0 Aies, Games, 


Roney in the P. A. B. Widener Collection, Beer tote. 7 700, Ve. ws Fl 


Owner, Mituarp F. Tompkins, Esq. 


SX AUGUSTE VON PETTENKOFEN ie 
AustTrRiAN: 1832—1889 


No. 11I—HUNGARIAN PEASANT WAGON 
(Panel) 


Joa = : Height, 101% inches; length, 151 


Tue admirable methods of this able pai er are Seen to great 
advantage in this small, though broadl ed picture of 
two donkeys harnessed to a peasant’s cart, in which are seated 
‘two children. The place is a field, with stacks of grain and 
heaps of pumpkins. The time is nearly midday, and the strong 
light from the cloudless sky gives a wealth of warm color to 
the scene. 

Signed at the lower left. Dated 1878. 


From the collection of the late W. H. Stewart, New York, 1898; # 
Catalogue No. 89: ‘2 2900.— (& Yb SP AS ie ‘/ 
¥ ” be 


THEODORE ROUSSEAU 89 ay AGO 
Frencu: 1812—1867 _— 
a") c 


fo 


No. 12-THE OAKS Lee 
é ° j is i ; 3 1 ° , . 
Ge V, are Height, 9 inches Ie, 4 inches 


A cuuster of oak trees, three or more of them, stand close to 
the foreground at the left, in a slightly rolling open country. 
Within view are other trees and clumps of bushes, and the land 
is green and gray and yellow, under a blue sky filled with 
cumulus cloud masses, gray and white. 


Signed at the lower left, T. Rousseau. 
/ 


a 
Owner, Estate of the late Simron J. Draxe, Esq. AA i fh 


t 


ADOLF SCHREYER 
GERMAN: 1828—1899 


ee | 

ger No. 13—ARAB HORSEMEN 

SF ee r 
a 

eS me. Height, 101% inches/ length, 14 inches 
ie a i 


A Group of three horsemen in Arab garb are observed in aywild, 
deserted country, under a blue sky with brownish-gray élouds, 
the earth in the foreground brown, while higher land in the 
distance shows yellowish notes. One rider is mounted on a 
white horse, which lowers its weary head in the center of the 
picture; the other two have dismounted, one on either side, 
their mounts respectively being a light brown horse and a dark 
brown, almost blackish one. 


Signed at the lower right, AS (in monogram). 


Purchased from Julius Oehme, New York. 


de 
T'o be sold to close an Estate. oy (\ pene le 1Go6 ff? b¢ * 


MARIE DIETERLE 


Frencu: 1860— 


No. 14—L4 VACHE BLANCHE A 379 
2g ~~ pe ee 


ie pact Bae ich. 1234 inches; length, 16% inches 
5 is oe WV feast errt— 


/ 


Cows are grazing in well-watered meadows. “Inthe back- 
ground a yellow cow and a white one are seen with heads down, 
and beyond them bushes and distant low hills. In the fore- 
ground, near a shallow stream, a white cow and a black one 
with a white face are seen against a clump of trees which bor- 
der the meadow on the left. The white cow is brought into 
prominence, standing almost athwart the picture, ahead of the 
black one, her head turned toward the open meadow. She is 
most faithfully studied and the values in her slightly varying 
coat are engagingly rendered. Light grayish shower clouds 
are crossing a blue sky and the sunny air is still moist. 


Signed at the lower left, Marie Dirrerte. 
vy 
Purchased from William Schaus, New York. aye v i. 


Owner, Mitutarp F. Tompkins, Esq. 1, © 
\ 


JULES DUPRE 
Frencu: 1812—1889 at l 


te 


4 }O No. 15—LANDSCAPE es 


- 
or 


oh 


. Le } $35 Height, 1084 inchess)length, 14 inches 


gre 


In the foreground a stream crosses the picture, bifurcating on 
a point projecting from the left. The land of the point is 
moderately high, and grown with grass and bushes, and from | 
it long, leaning trees of thick leafage extend far over the 

water, and mottle its silvery surface with shadows. 'The back- 

ground is flat farm land, and coming from it a group of people 

are being ferried across the stream in a punt. 


Owner, Louis A. Bippie, Esq. 


7. =~ ~——dSOMs HENRI HARPIGNIES 


F : 1819— 4/ 
FRENCH yw 


No. 16—THE FARMHOUSES Ww 
(Panel) 


a La a Height, 1234 inches; lengt 1734 ONG AD. 


Unper a sky of brilliant turquoise-blue in which small cumulus 
masses of white cloud float, a group of French farmhouses are 
seen, edging a winding road. Their walls are a creamy white 
and their roofs gray and a dull red, and green vines and bushes 
stand against them, issuing from the green-grown roadside. 
The houses extend from the right foreground around a bend 
in the road, where trees growing from mounds rise above the 
low roofs. From the left a high green bank throws its shadow 
on the sandy roadway. Two figures of peasant women in blue 
are observed, both wearing white caps. 


Signed at the lower left, H. Harvientes, 794. 


Owner, Mituarp F. Tompkins, Esq. wal aii 
as P Ooi 


JPR 


per 


Nos 


De XX* JEAN BAPTISTE CAMILLE COROT 


Frencnu: 1796—1875 | 
7 A) O 0 No. 17—L’ETANG a 
, aie 


2 Height, 14 inches; length, 18 inches 

On the right the edge of a wood projects into a winding stream, 
thick foliage aloft overhanging the water and blocking out 
the sky, and the bared and twisted branches of a dying tree 
relieved against the green mass. On the left, beyond a cleared 
bank in the foreground, are more dense woods, receding to a 
distant point, with feathery tree-tops standing against a blue 
sky partially veiled by light clouds. Low along the horizon, 
which is glimpsed beyond the point, there is a rose tint, and the 
sky light is admitted to the limpid retreat, mottling the slowly 
moving water. ‘To this cool spot, toward the close of day, have 
come three cows and entered the water, where they stand plac- 
idly, while the figure of the cowherd, in blue with the inevitable 
red spot, is seen at the left, seated on the brown bank. 


Signed at the lower right, Corot. 


From the collection of Herr de Schoen, of Worms, father of the recent 
German Ambassador to Paris. 


By order of Jacozs anv Livineston, Attorneys for the Owner. o\ 


ee WA 
A 


. ‘ 
‘ i 
4 : 
y o 
ey < . x 
* 
“ 
+ 
Xyt 
‘ 
a. 
\ 
i 
7 
:€ 
nt 
* 
’ 
. ‘ 
. 


eS eet TS ae 


» 


0 sent Segura Pete ole 


GIOVANNI BOLDINI Go? 
Irauian: 1844— \ U 
No. 18—GATHERING WILD FLOWERS Pb 
Pa 


De a's Height, 18 inches; length, 18 inches : 
ee | e a 6 ear teh lth Ce 
A GREEN hillside sloping forward and to the left is in a blaze 


of summer sunshine, which turns the long, wild-growing wiry 
and feathery grass to a yellowish-green, against a background 
of woods with shadowed recesses. Wild flowers grow in plenty 
among the grasses, dotting the green with the yellow of butter- 
cups, the white of daisies, and the brilliant red note of poppies. 
Hither have come a number of young women in light dresses 
and poke bonnets, with pink, yellow and pale violet parasols, 
and some sit or recline languorously, deep in the flowery 
verdure, while one in pale blue wanders off plucking the invit- 
ing blossoms. In the right foreground a stunted dead tree lifts 
scraggly gray and weathered arms against the green. 


Signed at the lower right, Bowprnt. 
Owner, Mrs. J. H. Russet. 


py KL z JOSEF ISRAELS 


e 


\ + Height, 1344 inches; width, 1014 ing es: 
\ 


Dutcu: 1824—1911 


No. 19—FALLEN ASLEEP 


/ Pipa aa (Panel) 


AN elderly Dutch woman with pleasant features is sitting in a 
high-backed wooden chair in a modest Dutch interior with 
gray walls and greenish curtains and a beamed ceiling. She 
faces the observer, turned slightly to the left, with the sunlight 
from a window on the right full upon her. ‘Tired of knitting, 
she has laid her work on the table beside her and folding her 
arms fallen ito peaceful slumber. She wears a white cap 
and neckerchief, an old-rose waist and bluish-green skirt. ~ 


Signed at the left, Joser IsraEts. 


Purchased from Boussod, Valanen & Co., Paris. 


To be sold to close an Beata q (A (pnt 7 


Soe Height, 18, eres iat 143), inches 
7° Z NMI Ae CngivA 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


No. 20—4T THE BROOK 9 K 


(Panel) 


A DARK green brook comes forward from theréenter of the 
picture, bearing to the right and widening in he foreground, 
under a steep green bank and overshadowed by leaning trees. 
It is fed by a small waterfall. The high bank is continued on 
the left, save for a path along the brook, which is thus brought 
into a sort of glen, and in the cool shadows of the path a 
woman’s figure is seen kneeling. Beyond the trees the sky is 
alight with sunset colors, and by the brook a single red flower 
grows. 


Marked at the lower right, VENTE Corot, and the official seal is on 
—— 


the back. 
AN 


Owner, Mrs. J. H. Russet. 


HENRI HARPIGNIES 
Frencu: 1819— 


is, QO No. 21—LANDSCAPE 


eas Height, 12 inches; lengt 
a Ca 2 Git, ee 


PicTURESQUE trees with brown trunks/'their leaves a light yel- 
lowish-green where the sunlight plays on them, relieved against 
the dark green of the shadowed foliage, are grouped on the 
right on the grassy bank of a stream or inlet in southern 
France, and rise out of the picture. At the extreme left of the 
foreground a pollarded tree leans over the water, and it too 
extends out of the picture. Between them the eye roves across 
the stream, which is cut by sandy stretches rising out of its 
shallows, to a steep sandy bluff on the far side, supporting — 
a few small trees and crowned by a red-roofed white building, 
bright in the sunshine under a brilliant turquoise pe flecked 
with light clouds. 


: Ps at the ner left, H. Higneee (with ie 


Purchased from Arnold & Eee, Paris, | o 0 3495 


To be sold to close an Estate. — J. by 
S Blarmd AT pon" 


He sabi 
a ~, ee eae 


HIPPOLYTE CAMILLE DELPY 
Frencu: 1841—1910 


oo 


No. 22—LANDSCAPE WITH RIVER — 
(Panel) 


Re 34d a Height, 124% inches; length, ec a Vos : 
THE water, which occupies the greater part of the foreground, 
reflects the rose and yellow of the evening sky and the greens 
of a row of poplars terminating the view of the opposite bank. 

This juts into the water in a point, off which lies a boat with a 
‘single occupant. | 
Signed at the lower left, H. C. Dexry. 


= e@ ee 1: 
Collection of J. Abner Harper, New York, 1911, A) : SE 14h - [ Steweder Te Thame 0 Vliet. 


By order of Freperick P. Dexarietp, Esq., Attorney for Owner. 


FELIX ZIEM 
Frencu: 1821—1911 


No. 23—CONSTANTINOPLE 
(Panel) : . 


bh ee Height, 15 inches; length, 18 Arch : —_ 
| 144 Us UeY 
Unper a bright blue sky where pinkish-white clouds fl — 


distant purple hills are seen on the right, beside light 
blue water that extends to the horizon. In the foreground, 
on the hither side of the water, gaily colored figures are 
gathered, in the lee of a low bank thick with vegetation 
over which rises a solitary tree. 


Signed at the lower right, Zien. 


Purchased direct from the artist. et bt 


T'o be sold to close an Estate. 


P. A. J. DAGNAN-BOUVERET 
“O Frencu: 1852— 


Ra No. 24—AN IDEAL HEAD 
( Pastel ) 


ee Aes See Height, 151% inchés; lefigth, 20% inches 


AGAINST a light background a young woman oad with pe 
thrown back and eyes directed upward and to the right, her 

head and a portion of the shoulders only visible, with left arm 
raised and poising a wand above her brow. Her hair is a light 
yellow in color, short and tousled, and aids in casting shadows 
about her head and face, the strong light coming from above 

and back of the figure and illumining only the front of the 
upturned face which catches it, the other flesh surfaces being 

in luminous and colorful shadow. 


Signed at the lower left, P. A. J. Dacnan-B. 


Purchased from Allen & Noel 
To be sold to close an Estate. 


JEAN FRANCOIS RAFFAELLI _—_— 
Frencu: 1850 ae 


No. 25--ON THE BOULEVARDS 
| 3 ( Panel) 
oe oer Height, 17% inches; length, 2Q/ipches 


In the season of leafless trees but while the weather is warm 
and children are hatless, a motley crowd of the Boulevards 
toward the east is pictured, in the days of horse cabs and horse- 
drawn omnibuses. They are seen on the sidewalks and in the 
street, passing about the statue of the Republic and near a 
kiosk, and their dogs are not forgotten, a particularly inde- 
pendent one approaching in the foreground; all with the life 


of a sketch. 
Signed at the lower right, J. F. Rarrar tu. 


To be sold to close an Estate. @ ALN Geverrant bod é dh 1906 We 166 
cq teh OOF 


CHILDE HASSAM, N.A. 
AMERICAN: 1859— 


240 No. 26—NOCTURNE 


ne qo a Height, 1814 ae 15 inc 


A SCENE in and near a French Par at Ah oee oh lights glow- 
ing across the trees, their red reflections seen on the wet side- fe 
walk and roadway outside. Here pompous and silk-hatted 

men mingle with young women and others in the throng, the 
figures all dimly outlined in the half-light, while in the fore- 
ground a light-haired young woman, her back to the spectator, 

is about to step from the street pavement to the sidewalk. 


Signed at the lower left, Cu1tpE Hassan. 


Purchased from the artist, 1891. Ui : 
atin U2) 
Collection of J. M. Lichtenauer, New York, 1913, # 14%: S40 (% qe ) 1 


By order of Frepverick P. DELAFIELD, Esq., Attorney for Owner. 


ee 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 27—FAYOUM 
(Panel) 


3 Gy oo Height, 151% ee Miche: 
In the immediate foreground an arched bridge /of//brick and 


stone crosses a stream which widens as it curves away to the 
left between mud banks and partly ruined buildings. Crossing 
the bridge are turbaned horsemen and persons afoot, traveling 
toward a considerable grouping of people assembled in the 
shade of a wide-spreading tree of thick foliage near a wall in 
the middle distance. Other persons move toward the spectator, 
one accompanying a burdened donkey. In the neighborhood 
of the wall are ruins and standing minarets, and in the back- 
ground the dome of a mosque appears and to right a bleak, 
treeless hill. Along the river are palm trees. Many of the 
figures are in gay colors, the horses are white, black and sorrel, 
and the whole scene is in brilliant sunlight under a clear blue 
sky. 

Signed at the lower right, J. LL. GERomeE. 


Owner, Mittarp F. Tompxins, Esq. \ V. vr 


bee p Pe 


FRENCH: 1830—1894 


0 
CHARLES EMILE JACQUE ho \ 


No. 28—SHEEP IN STABLE 


4 a bo 0 _ Height, 15 inches; length, 1814 inche 
: O BO ire 
Five sheep and a lamb are shown in“a stable with-grayish 


plastered walls. ‘Two are feeding from a rack whilé one looks 
on, and two are lying down, while the lamb seems partly mys- 
tified by the intrusion of two hens at a trough; other chickens 
appear elsewhere,.one on a stairway to a loft. On the wall 
hangs a cone-topped lantern. Sunlight from above mellows 
the brownish-yellowish grays of the sheep’s coats, and the 
straw around, and throws an alcove into gray shadows. 


Signed at the lower left, Cu. JACQUE. 


Owner, Marrarp-E-Fomrrtxs, Esq. fk el 
PEE ie 


\ 


yw 


ZA oa 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1817—1878 


No. 29—LANDSCAPE: THE RIVER THAMES 
(Panel) 


th: SU — Height, 15%, ae length, (Oieae inches 
(lo aa Its 


Tue river is viewed at a a Te it 1s very 

gray waters at the left are active, and in the foreground break 
in miniature wavelets on a green and brown bank. ‘There is 
wind in the sky of gray and white moving clouds, and numer- 
ous sailing vessels are under way all about the river, tall-masted 
square-riggers and small working boats, with gray, brown 
and yellow sails. ‘The course of the river leads back toward the 
right, and in a path running along its bank some people and 
cattle are observed. ‘The land on the nearer side of the bank 
is made up of low green meadows. 


Signed at the lower right, Dausieny, 1865. 


Purchased from William Schaus, New York. 


Caner, Miurarp F. Tompkins, Esq. 


be i 
ee 


JEAN LEON GEROME 4400 
Frencu: 1824—1904 > 


No. 30—SORROW OF AKUBAR g cet ou ks 


A 4 nee | pe 1614 inches; length, oy ime ge Uke Le 
A TALL man in a loose and lar ge white tunic and black turban 
bare armed and bare footed but with sword and dagger in his 
bright-colored belt, stands facing the left, three-quarters front, 
at the head of a sarcophagus. He is well on in life, but with 
rugged features, and his black beard is turning gray. With 
both hands raised beside his head he is chanting a prayer, the 
holy book open before him between tall unlighted candles. The 
casket, covered with lettering, and its standard are a deep blue, 
with ornamentation on the standard in white, yellow and red, 
and over all are draperies of green, red and white. The whole 
is in a softened interior light, which is reduced along the back- 
ground of dark green wall in lattice pattern, interrupted by a 
wide door of rich brown ornamented with green. 


Signed at the lower left, J. L. GERome. 


Owner, Mitiarp F. Tomrxins, Esq. 


v 
% 


7" 
WV 
i) 


Ce AD, 3 ety AD ae tAALR 
Ie , ‘S08. 1), 19 t, / Jo O° 
[t-te ota Ce ke = aks: 


lb A iC, — (tt to Mao oC 
Vimeo 
WA CG Kerner her Peer 
Mee Stoc/L_ 


(. 
r-[r0/7? 


ADOLPHE MONTICELLI 
Frencnu: 1824—1886 
OS ; | 
L | No. 31—THE EMPRESS EUGENIE AND > 
THE ARTIST, IN HIS STUDIO 


cole 0S Height, 19 inches; length, 2244, 2 S 


TuE two figures are portrayed at half length, the painter bald 
and bearded, in brown coat and loose white collar, back to the 
spectator. Hus right hand is extended toward the canvas in 
front of him on which he is working. ‘The Empress is 
seen in profile to the right. The two look interestedly into 


each other’s eyes. 
Signed at the lower right, MontTicEL1I. 


Painted at the Empress’s order and called “The Inspiration of the 
Empress to the Artist.” Executed at the time Monticelli did the 
six large paintings for the Empress’s drawing room. 


The property of a lady whose name will be made known to the pur- 
chaser. 


JEAN BERAUD 
eee 1849— 


| 6° 
No. 32—AN EVENING PARTY | a 


on) ert Height, 19% inches; length, 29 ies Neen 


ELEVEN figures are presented, seven men of various age and 
four young women, in a gray walled salon with doorways 
draped in blue. The ladies are in pink, black, white, and white 
spangled with gold, and are adorned with flowers and feathers, 
yellow, red, orange and white. 


Signed at the lower left, JEAN BéRAvD. 


Owner, Estate of the late Stmuron J. Drake, Esq. 


GeBrA, 3 Retype CFIee Oo"? 


GEORGE H. BOGERT 
AmeERIcAN: 1864— 


No. 33—APPROACHING STORM ZA 


Ds So aa Height, 16 inches; lengthy24 inches 

THROUGH rifts in heavy passing thun Hemcloivigtthe sunlight 
falls brightly on a green and yellow hillside, wih slopes to- 
ward the left down to a body of blue water, where a sail and’ 
what appears to be a lighthouse are seen far out. At the right, 
over the hill against the clouds, segments of the bow of promise 
appear. 

Signed at the lower left, Grorce H. Bocerr. 


By order of Freverick P. Devarierp, Esq., Attorney for Owner. 


GEORGE H. SMILLIE, N.A. 
AMERICAN: 1840— 


35 O No. 34-LOOKING OVER LITTLE HARBOR, 
a COH ASSET, MASSACHUSETTS 


0 Z . ay 
&e S 4) “tec Height, 16 inches; gph Bee bland 
THE harbor occupies the center-ground of the composition, 


toward the right, where on the smooth gray-blue water a single 
small sailboat is seen. The foreground is of dunes and cedars 
and grass, gray and green, with reddish and prove notes 
near the water. 


Signed at the lower left, Gzo. H. Smituie, CoHassETt, Sepr. 91. 


By order of Frepericx P. DevaFiexp, Esq., Attorney for Owner. 


i HENDRIK WILLEM MESDAG 
DutcH: 18381— 


gn le 
0 No. 35—MARINE 


og (Water Color) 
6 Height, 18°84. inches; length, 25 2 oa, ie 
CMe Pee: VI. pit tler oe 
GRAYISH waters in light but active motion fill an picture under : 
a sky filled with clouds. In the offing a sailing ship is seen, 
toward the left, which seems to be in some distress, with indi- 
cations of a fire starting, perhaps, and midway from her is a 


boatload of men. 
Signed at the lower left, H. W. Mespac. 


Purchased from Julius Oehme, New York. 


T'o be sold to close an Estate. 


& | 
JEAN LEON GEROME (+ 
Frencu: 1824—1904 Wy e 


No. 36—LE MARABOUT : one 


ra A oma ae Height, 1914 inches; length, 2514 mches Fru 


WomeEN of the harem are shown in various attitudes, ee ee 
about a fountain where goldfish swim. The light and atten- 
tion are concentrated upon two nude figures at the left, one 
seated facing the right with head turned three-quarters front, 
a red flower in her hair, the other lying prone on the white 
marble floor, extended across the picture with her loosened 
tresses as a pillow, and upon a black figure clad in light and 
dark blue and orange beyond them. Others nude or partially 
nude with red and blue garments appear in the background 
against a mottled yellowish-brown wall. Into the fountain 
basin, which is edged with blue-green tile, walks an African 
stork, arousing languid interest among the humans. 


Signed at the lower left, J. L. GtRome. 


Purchased from William Schaus, New York. Aa WA Naf 


Owner, Mittarp F. Tomrxins, Esq. 


FRITZ THAULOW 
Norwecian: 1847—1906 


— No. 37—THE RIVER 


aa Gest Height, 1934 inches; On. Tecags : 
Broap, round-topped hills give a high horizon, the little sky 


that shows above them being a mass of thin gray-white cloud. 
Coming into the picture from the right, at the foot of the hills, 
end sweeping forward to occupy the foreground, is a swift 
river, almost to the top of its banks in the springtime freshet, 
its swirling waters filled with reflections. | 


Signed at the lower right, Frrrz THauLow. 


T'o be sold to close an Estate. 4 (ae J GO G WV. rs 
| CH Corttr $A? 


EMILE VAN MARCKE 
” FRENCH: 1 ee 
ma 


rate 


‘a 


3 
Al jet No. 88—LANDSCAPE AND CATTLE 


; AL mee aS Height, 18 inches; “on ee! m geen 
Low-ty1ne meadows, lush and ae aa tered pools ‘of 


water, are bounded on the left by a high hill whose broadly 
sloping sides are green and brown. Several cows are sketched 
in the meadows, and one red cow with a white face lying down 
in the foreground is carefully studied. 


Signed at the lower left, EM. van Marcke. 


T'o be sold to close an Estate. 


JEAN LEON GEROME 
FRENCH: 1824— 1904 


No. 39--MOORISH BATH Th Fult-LWrnre 
LA 7 eae Height, 19 inches 5, gth, 29 inches AV 


projection being from the right, is a line of low, irregular walls 
of ruins, pierced with windows and doorways and presenting 
the appearance of grayish-brown sun-baked mud. Above them 
rise the tall trunks of palm trees, and in the distance, beyond, 
the tops of more of these green trees come into view, extend- 
ing in a line which continues beyond the end of the walls at the 
left. .Coming around the ruins from the left, sweeping past the 
walls and turning forward to occupy the foreground, is a stream 
whose bluish surface is mottled by the brown and green reflec- 
tions of the walls and palms. On a grassy point of the bank 
on the left are women water carriers, cloaked in blue, and in 
the stream are two nude bathers. 


Signed at the lower left, J. L. Grrome. 


je from Cote"Snedecgr, New York. 


Owner, Mituarp F. Tompkins, Esq. ° 


| BC Ven deck OF 4] 
EXTENDING nearly across the picture, in the middle ground, the . 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


| 50 O No. 40—PRESENTS OF LOVE 


Height, 261% inohes; width, 1514~ inches 
eC i 
A FAIR young maiden, her limbs draped, stands wi 
before a background of trees and bush at the edge fa wood, 
under a grayish-blue sky in which erayish-white clouds float. 
Her skin is fair and flesh delicate, and with one hand she 
clasps a blue drapery about her hips. Her hair is yellow and 
wavy, and hangs down behind her shoulders. She is facing the 
observer, with head slightly bent forward and inclined toward | 
her right shoulder, where a happy Cupid whispers to her while 

as caresses her. Her response is a gentle, dreamy smile. 


, "Signed at the lower left, N. Diaz, ’54; at the lower right the stamp: 
VENTE Diaz. 


a | 
From the Diaz sale, 187 Brom Me the Sedelmeyer Collection and Eugene 
is Fischhof Collection. 


Exhibited at the World’s Columbian FEO Chicago, 18938. 


Owner, Miuuarp F. Bae eS Esq. st. 


Lee ate 
TS ae 


ean 
a 


f S ? > q - 2 % 4 f) pan a 
J { /. J 2 ¥ : YVEY ar 

/ a / + "§ MN BMV x! nS aes 
* i: f Y i h bs me wg AOA Le: es oe 


ig 


3 


ie De le 
ane ey ss 
es 


—— eee 


ee 


— 


— 


JEAN GUSTAVE JACQUET 
Frencu: 1846—1909 | 4 YO 
No. 4I—IDEAL HEAD —_— 


fu OG — Height, 22 inches; “CC Be eA 


A youNnG woman of handsome features is 1s Gap head and 
bust, figure to the front and head turned toward her right 
She has large brown eyes, light brown hair and dark eyebrows, 
and her Cupid’s-bow lips are very red. 


Signed at the lower left, G. JAcQUET. » 
Owner, Mrs. J. H. Russet. 


-RAIMUNDO DE MADRAZO 
SpaAnisH: 1841— S a) 
a 
No. 42—ON THE STAIRCASE 


_ (Panel) 


ree pe Height, 2514 inches; width, 194 L ee I. 


On a marble staircase of spiral form, carpeted in red with a 
black border, a tall young woman is seen looking down over 
the banister railing. She has reached almost the top step, com- 
ing toward the spectator, and turns to her left to look down 
over the mahogany rail. 


Signed at the lower right, R. Maprazo. 
Owner, Mrs. J. H. Russet. 5 


SIR E. LAURENZ ALMA-TADEMA _ 


Z 10 a) “if is | ENGusH: 1836—1912 
No. 43—THE SCULPTOR’S STUDIO 
(Panel) : 


a7] fo— | Height, 24 inches; width, 18%\i 


A LUXURIOUS studio is pictured, with white marble floor inl 
with mosaic in rug effect, and decorated walls. The ie | 
is showing his work, an heroic statue of a man, to a group of 
visitors, his attendant revolving it on its pedestal. The statue 
is in bronze, and stands out against a line of white marble 
statues, including the Laocoon group, along the wall in the 
background. The visitors are important men and women in 
classical robes of varied colors, and examine the work and 
attend the sculptor’s explanations with interest. é 


Signed at the lower left, L. Atma TapEma, ’67. 


Owner, Mituarp F. Powe: Esq. Toe Dn etbes 19 o 6 | 
mx 
Pe os NINGS~ Fone xx 


JEAN LEON GEROME oye 


Frencu: 1824—1904 oe 


No. 44—UNFOLDING HOLY FLAG 


S ties rise 2414, inches; width, “a. ae LS eee a 


A portion of the facade of a gray stone mosque occupies the 
canvas, a doorway in it which is raised three steps being blocked 
by elaborate curtains of red, yellow, blue and green. On the 
lowest step stands erect a barefooted soldier of the faithful, 
clad in white, his face veiled to the eyes in black, and wearing 
a green turban. He is heavily belted and carries arms, bow and 
quiver. With his right hand, as he faces the front, he supports 
the long pole of the holy flag—yellowish-green and red—which 
is unfurled and hangs in graceful folds. 


Signed on the wall at the right, J. L. Gerome. 


Purchased from Julius Oehme, who obtained the work from the artist. 


Owner, Mituarp F. Tomrxtins, Esq. \ \ oth 


WILLIAM ADOLPHE BOUGUEREAU 
si ole | Frencu: 1825—1905 


Mike 


or, No. 45—FAUN AND BACCHANTE ‘ 


y Og yee Height, 21 ee age 


mches 
VIS 

AGAINst a background of light woods, . a spring visible at 
the right, a faun and a bacchante are seen in amorous dalliance, 
seated on the ground before a large tree of strongly leaning 
trunk which crosses the canvas. Both are smiling, their faces 
seen little more than in profile. The faun is young, with 
slightly tanned or swarthy flesh, and is turned toward the left, 
his right arm embracing the shoulder of the gay nymph, who 
faces him, an ivy chaplet in her black hair, white and rose-red 
draperies about her limbs. A pine-cone wand tied with a yel-_— 
low bow is at her side, and the faun has in one hand a terr a- 
cotta amphora. | 

Signed at the lower left, W. BovucuEreEavu, 1860. 


Purchased from William Schaus, New York. | % 
2 244 LI q° ; 
Owner, Mituarp F. Tompkins, Esq. WK ! l bs 


JEAN LEON GEROME Le" 


ee ‘“ 


Frencu: 1824—1904 


No. /46—ROMAN WOMEN BA gn Bag 


Height, 2516 ge width, MA v host 


oie 
In a marble floored solarium with an aval bath of dark green 
water in the center, the marble blocks gray and a cool bluish- 
white, four nude bathers are observed, and in the background 
four heavily cloaked women in various tones of blue, with white 
and a touch of red-brown, seated and standing in a promenade 
under a foliate arch. On the left a nude bather seated on a 
wooden bench, hands clasping a crossed knee, her rose-pink robe 
beside her, turns her head toward the observer, and the head 
and shoulders of another are seen behind her, while at the edge 
of the plunge two others are in conversation, seated on the mar- 
ble, one in back view, her companion dangling her feet in the 
water and clinging to her white drapery. 


Signed on the bench, J. L. Gtrome. 


Purchased from Boussod, Valadon & Co., Paris. by : 
Owner, Mitiarp F. Tompkins, Esq. LN ) 


JEAN GUSTAVE JACQUET 
Frencu: 1846—1909 


No. 47—PORTRAIT OF A YOUNG LADY 
Ciel seal 2 Height, 26 inches: width) 2118 inch 
eugnt, MCNES; WI ; ap inode ae, 


A SWEET-FACED young French lady is portrayed at half-length, 
facing front, head poised lightly over her left shoulder, and 
dark, brilhant brown eyes looking intently at the spectator. 
The light plays effectively amid the wavy curls of her loosely- 
dressed light brown hair, and whitens one cheek while the other 
is rosy in transparent partial shadow. She wears a tight black 
bodice with pink roses at the throat, and a buff-brown cape 
with dark lining, and a high winged collar is lightly thrown 
back at the shoulder. 


Signed at the left, G. Jacquet, 1879. 
Owner, Mrs. J. H. Russet. 


; 
ra 
ike 
age 
& 


JEAN LEON GEROME 4G iy hang. 


Frencu: 1824—1904 7 7 a 


No. 48—THE TOMB OF THE SULTAN 


Y Qs- gn Height, 261% inches; width, ee & baw ere se iat 

THE gray and brown walls of the mausoleum, with blue and 
yellow tiles seen under an arch at the left, are draped with 
variously colored banners in low tones, suspended aloft in three 
rows’ The large tomb, in the center, in green, red and gold, 
is surmounted by flags of brilliant colors, and at one end of it a 
bearded man with long hair, torse nude and in blue Turkish 
trousers, standing, kisses the folds of one of them. 


Signed at the end of the tomb, J. L. Giéroue. 


» flies 
Owner, Miuuarp F. Tompkins, Esq. AY 
Age ar 


KX 7 


__-F, S. CHURCH, N.A, 
», AMERICAN: 1842— — 
/02 Spe 


or No. 49—MOTHER’S RETURN 


Height, 20 inches; length, 3 inches | 


A FAMILY of bears is represented, all standing on their hind 
feet. On the left a tall light brown bear is fairly dancing, 

poised on one foot before a clump of bushes, arms extended 

and mouth open in welcome to mother bear (who is so dark 

she is almost black), who returns from a foraging expedition 

laden with watermelons and sheaves of corn. She is walking 

in a narrow path through a green field bordered by low hills. 

Two cubs dance around her, one with a small melon, and two. 

rabbits come out to see what’s going on. 


Signed at the lower right, F. S. Cuurcu, N. Y., 1914; copyricut. 


By order of Messrs. Hunt, Hitt & Berrts, Attorneys for the Owner. 


JULES ADOLPHE BRETON? ;-. 
Frencu: 1827—1906 ) Le i a 


No. 50—SLEEPING PEASANT GIRL Lf (0 


_ Leos pe Height, 24 eee 20 inches 
7 

THE young woman has seated he eltntthe cr EUG hee, 
well protected by the stout limbs which she clasps at either 
side, and by a back-rest of branches, and has dozed off for an 
afternoon nap. Her right arm is raised along a curving trunk, 
and her head droops over that shoulder and rests against it. 
She is barefoot, and wears a loose white waist, dark brown 
jacket and skirt and blue apron, and over her head is a lavender 
scarf. 


Signed at the lower right, JuLEs Breton, 1877. 


Owner, Mituarp F. Tomrxins, Esq. \ ur 


* 


| ter 


Wa DANIEL RIDGWAY KNIGHT 
AMERICAN: 1850— 
a) a No. 51—PATH BY THE RIVER 
; a ay 5 Height, 211% inches; fugth, 3004 sacl : 


THE scene is at a bend in the Seine near Poissy. Coming into 
view between its green, wooded and hilly banks in the left 
middle distance, the river sweeps broadly to the right and 
swings forward, vanishing at the left. Along the curve of its 
nearer bank, a winding path runs between masses of wild flow- 
ers brightened by brilliant poppies. Here two buxom peasant 
maids are seen who have been out cutting grass to take home 
for fodder, one already prepared to leave with a load on her 
back which her sister is adjusting, while the sickle lies on a 
bunch of grass in a second apron not yet filled beside the path. 


Signed at the lower left, Ripeway Knicut, Parts. 


Owner, Louis A. Bippxe, Esq. ; ee 
Auer 


JULIAN RIX a 
American: 1851—1903 


No. 52—LANDSCAPE 


8 Le v0 Height, 22 inches; length, UY, was 
A woop thick at the beginning tapers, and gives way to an open 
country with farm buildings in the distance. \ In the foreground 
short trees throw shadows toward a pond in the center, and a 
large tree with a light trunk stands outside the wood. 


Signed at the lower right, Juuian Rix, 97. 


BA 


ree 
Purchased at the sale of the works of the late Julian Ria, 1913, # J0.5 $ OLY 


By order of Freprerick P. Dexarieyp, Esq., Attorney for Owner. 


ee GOURNAY-SUR-ARONDE (OISE) 


JULES DUPRE 
Frencu: 1812—1889 


O ~ No. 58—CHATEAU DE 


ori ae 


— Height, 23 inches; leng 


Tue chateau, with red brick walls and blue slate roof, is seen 
in the distance, on a broad green eminence and in a bright light, 
between a middle distance clump of trees on the left and a mass 
of trees nearer the foreground in the center of the composition. 
These trees throw into shadow the land on the right, where are 
more trees. Below the chateau mound the land is low over mid- 
dle distance and foreground, and lush with vegetation which 
extends to the border of a pond in the central foreground. 
Here half a dozen cows of different colors are gathered, and a 
farmer is coming toward them. 


Signed at the lower right, J. Dupre. 


Purchased at the iW alins Oehme sale, New Yor! 1911,4 He: f 610. ETT | 


To be sold Pe close an Estate. | ip: 


rt 


GEORGE H. BOUGHTON, N.A., 


Encuisu: 1834—1905 "Gi y mw G6 


No. 54-ENGLISH LANDSCAPE 


7. G y hes Height, 16 inches; length, 36 inc &, Vv) 
VU ALO 

A PASTORAL scene in England, with a stream aeats the fore- 

ground. On the path which borders it are two milkmaids. One 

trudges along at the left with her well-filled pails, but her com- 

panion has stopped to talk to a young farmer. In the middle 

distance are red-roofed farm houses and clumps of trees. Gray 

sky, with warm evening light at the horizon. 


Signed at the right, G. H. Boveuron, 1877. 


From the collection of the late Hon. Henry Matas New yous oo 


Owner, Mrs. J. H. Russet. j 


/ 


oe? 


C 


ae 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 55--JEW PRAYING AT SOLOMON’S WALL 


AG go - Height, 29 inches; wi 2312 1 


THE massive stone wall of the Teriple of the ancient Jews fills 
the picture, above a flagging of \gray stone or marble tinged 
with pink and blue. The wall, which is known as “The Wailing 
Place,” is of huge blocks of stone, creamy gray, streaked and 
mottled with brown, purple, yellow, pink, white, blue and the 
tones of iron-rust, and bunches of grass spring from its crevices. 
Its lower courses date from the time of David and Solomon; 
some above are attributed to Herod. It is the custom of the 
Jews to come here and bewail their woes, and to pray, and 
bathe the sacred stones with their tears. In front of an in-set 
short pillar we see an aged solitary Jew who has paused to pray 


alone. He is standing, facing the left and seen in profile. He - 


is red-bearded, and clothed in long cloaks of yellowish olive- 
green and gray-blue, and wears a tall black hat. He holds his 
book open and is looking up at the pillar, and beside him are 
his staff and bundle. | 

Signed at the lower right, J. L. GtRome. 


From the A. Donatis Collection, No. 109. | ms 
Owner, Mituarp F. Tompkins, Esq. \ a 


v= 


y~ 


art 
Seine 


CLAUDE MONET y 


a 
Frencn: 1840— se ¥ 
sa 


No. 56—BY THE SEA | 


Aw early Monet, before the development of his impression- 
istic style, presenting a green wooded bluff on the left, which 
projects in the middle distance into a smooth, drab sea under 
a sky filled with gray clouds. Below the bluff the foreground 
is a brown and gray sandy and stony beach, with evidences of 
crib work along ,the waterline, and the beach is strewn with 
sawn logs from gray mills which nestle against the foot of the 
wooded bluff. Off-shore is a small sailboat. 


4 ito ao, Height, 2144 inches; length, 32 inches 


Signed at the lower left, CLauDE Monet. 


Owner, Louis A. Brpxe, Esq. i oe a7 me ah 


, Wl 


fe Yar - BARON HENRI LEYS : / 
Friemisu: 1815—1869 | 
g 6 0 No. 57—-ERASMUS DICTATING TO 


HIS SECRETARY 


O°? 
Si HENS kes Height, 2334 inches; length, m4 inches 


Tue scholar, wearing a fur-lined cloak With deep yellowish- 
brown collar, is seated facing the left, holding up an unfolded 
parchment from which he is reading, and dictating to his aman- 
uensis, 4 young man who sits at a small round table nearer the 
foreground, painstakingly writing with a quill. The table at 
which Erasmus sists is a large one, rectangular, with spiral- 
turned legs, and its skirt elaborately decorated in color. It is 
piled with books, near which stands a tall brass candlestick 
with a half-burned candle (unlighted) ; the light in the room 
is a soft and mellow daylight, the floor is of plain boards, and 
the walls are adorned with paintings, part of a triptych coming 
into view. 


Signed at the left, midway; H. Leys, 1864. 


Purchased from William Schaus, New York. 


Owner, Mittarp F. Tompxins,, Esq. Lt Ps / 
ae of es 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 58—CURTIUS LEAPING INTO THE GULF 44 yee 


_ sree Height, 2114 inches; length, 60 imche 


ocxKs at either side and across thé middle distance openin a 
seam in the foreground, disclosing black depths from {which 
glowing flames burst upward. Beyond the rock barrier citi- 
zens crowd one another, approaching beneath a high arch, and 
on the left a procession of votaries marches from a Doric temple 
to a flaming altar erected on top of the rocky eminence. The 
robes of the people are of bright colors. Full in the foreground 
is the legendary youth who leapt into the Forum chasm. He is 
mounted on a white horse, which with nostrils flaring and eyes 
wild plunges from the rock into the seething gulf, while the 
onlookers follow the leap with consternation and amaze. 


Signed at the lower right: A son amt MemBreE, J. L. GEROME. 


Owner, Mituarp F. Tomrxins, Esq. 


' \ oe 
IN: 


Jab FREDERICK BALLARD WILLIAMS | 
AMERICAN: 1S l= 


QO | 
S 0 No. 59—BLOCK ISLAND 


my ; | 
Pag, Sie — cae 25Y, inches; prot 30 inchds 


From a high point on ide moot hills of Block Island the 
spectator looks across rolling fields and wooded hollows to an 
all but land- locked harbor, and beyond its narrow mouth to the 
open sea. In the immediate foreground a path crosses a grassy 
hilltop, leading to a farmhouse nestling under the protection 
of ‘the brow of the hill. Between it and the sea, beyond some 
woodland, another building tells of human living on this bleak — 
isle of the-Atlantic, and’at the left, on another grass-covered 
hill, some cows are grazing. Out over the blue ocean a heavy 
nimbus cloud is overspreading the sky, which, however, is still 
brilliant under the nimbus arch, and through the arch the sun- 
light bathes the aM 2 and a portion of the sea in a kindly 
glow. 


Signed at the left, Frep’x BaLuarp Wits, 794. 


From the Frederic Bonner sale, New York, 1912, F 44- < fp 5 75- (hart TA wall 


By order of Freprericx P. Dretarietp, Esq., Attorney for Owner. 


4 
F515 thee 


j 


JEAN LEON GEROME = 
Frencu: 1824—1904 ad 


No. 60—AT THE SULTAN’S TOMB 


Ge / womee s Height, 231% imches; length, Cups peas 


THREE tombs, one unfilled, are seen at the left, the two draped 
with various colors in the conventional way. The chamber has 
dark bluish-green walls of hexagonal tile, with borders of folia- 

_ tions in the green on a deep blue, and the light is subdued. On 
the right, facing the tombs and seen in profile, a tall man stands 
with hands extended in an attitude of prayer. His head is 
shaven and wound with a rolled kerchief, and he has a full 
beard. He wears a white robe, a fancy sash, and carries a quiver 
of arrows. .He is barefoot. 


Signed on the tomb at the left, J. L. Gtrome. 
Purchased from Eugéne Glaenzer, New York. ’ + 
Owner, Mituarp F. Tompkins, Esq. AN np! 


EUGENE FROMENTIN 
a FrencH: 1820—1876 


6) No. 61—THE FALCONER 
(Panel) 


fe a eee Height, 24 inches ; i cae wind) eh, 


In the center of the picture, well in the foreground, a spirited 
white horse is galloping toward the left, bearing on his back a 
turbaned rider in green breeches, golden-yellow jacket and 
long red cloak lined with white, who holds up at arm’s length a 
falcon with spread wings. About are five other horsemen, 
riding or at rest, one of whom holds another falcon, while aloft, 
against a sky filled with rolling gray and white clouds, a freed 
falcon is about making quarry of a long-billed white bird, 
which the other horsemen are watching. The ground is a brown 
plain with suggestions of green, bounded by a background of 
low hills. | | 


Signed at the lower left, Euc. FRomMENTIN. 


Owner, Mintare F. Tompxins, Esq. mathe ee 


RALPH ALBERT BLAKELOCK, N.A. 
; AMERICAN: 1847— rn sO 


No. 62—MOONLIGHT 
oy 


Height, 27 inches; length, 87 [dnches 
TuE full moon is seen not far above thé horizon, straight ahead 
to the right, and below, from foreground to middle distance, 
water is lightened by yellowish reflections. All else is brown 
darkness, with vague suggestions of landscape and clouds. 


T'o be sold to close an Estate. L 


GARI MELCHERS, N.A. it 4 pl lerrt 


AMERICAN: I SOS ge adi 


No. 63—WAITING Bast 


aah 7 6 ae Height, 2734 aes lengt , Oe inch 
Rep and gray cottages of a fishing village at the seashore back 


up against a steep, yellow, sandy beach which fills the fore- 
ground. In the immediate foreground at the left a young 
peasant woman in old green and brown lies on the sands with 
a blue-clad baby at play in her lap, and other women of the 
fisher folk peer over a fence or stand on the open beach, all 
gazing seaward and waiting. 


Signed at the lower right, I. Gari MELCHERs, 1885. 


e P = fig Wf ) 
H j 453. @U4Gh — ([Aeysopn jn 
Collection of J. M. Lichtenauer, Esq., New York, 19138, a if a f Ponerte ¢2 


By order of Rrurnicn P. DevaFieLtp, Esq., Attorney for Owner. 


GEORGE H. BOGERT 
AMERICAN: 1864-— 


fe sé No. 64—MOONLIGHT 


é ST po oe Height, 28 wches; Yl ee : 


THE full moon is rising out of low, light cloud banks straight 
ahead, beyond distant bluish hills which are dark, and in the 
foreground her light is reflected from the surface of a pond. At 
either side of the pond trees or their branches enter the pic- 
ture, appearing in rich brown shadow. 


Signed at the lower right, Grtorcr H. Bocrrt, 1906. 


T'o be sold to close an Estate. 


SIR WYKE BAYLISS 
Eneuisu: Contemporary | 4 res br BG 


‘No. 65—SIENA CATHEDRAL ORT ae 

. — yd a 

base. et By.) 
AN interior view of the great cathedral is presented, in softly 
brilliant coloring, the huge piers and tall arches, marble floor- 
ing and stained glass windows giving a striking effect of mass 
with grace, and a very maze of variegated and scintillant but 
subdued color. Near the foreground, against a pillar, is an 
enormous font, sculptured with eagles, cherubs and cherubim, 
in the middle distance are figures in robes of service, and before 
the rail of a distant altar an old woman is descried, kneeling. 


Height, 30 inches; width, 24 ip 


Signed at the lower right, WyxkE Bayutss. 


rs 


Purchased from William Schaus, New York. 


Av 


Owner, Mituarp F. Tompkins, Esq. 


es 


i K JEAN LEON GEROME 


ore : FRENCH: 1824—1904 


No. 66—THE SENTINEL AT 


<a op LE SULTANS TOME — 
Porar? “7 ries 
Wt eas van a Dh Bw dth, 25 3, inches 3 Nh 


'THE Sultan’ s tomb is in a light veanitons decorated i in BRIE: 
and under a lavender coverlet ornamented in green and yellow 
through which project the staffs that hold aloft the many-col- 
ored flags. The walls are a greenish-brown striped in blue, 
blue tiles adorn an arched niche at the left, and the flooring is 
of mauve tone decorated in brown and green. On the right 3 
a man stands at rigid attention, and four others are seated or 
standing, in veneration. 


Signed at the fete of the tomb, J. L. Géiroue. 


oa 
Owner, Mitiarp F. 'Tompxins, Esq. — 


ro 
ys 


ha RE SEEN 
Rage nse . . 


or 


enn tb N 


Shes 


33 


%, 


ae 


. See 
2 ge Ae 


5 
Da 


- 


eo 


——— 


FREDERICK A. BRIDGMAN, NA. = FOC 


AMERICAN: 184'7— 
No. 67—CHECKER PLAYERS 


a oe Height, 30 inches; width, ae Hes ro. ue Ow ite, A 


In the tiled patio of a Moorish mansion with spiral columns 
and palmate arches, a swarthy man and two buxom and smil- 
ing young women are seen in a bright light amusing them- 
selves. The man squats Turk-fashion, on a large rug, long, 
smoking pipe in one hand, playing checkers with one of the 
women, who is seated on a leopard skin. The other luxurious 
beauty reclines languidly on a divan, with a generous exposure 
of nude limbs, enjoying with her sister the apparent check- 
mating of the man. All are garbed in brilliant colors. 


Signed at the lower left, F.-A. Bripeman, 1875. 
Owner, Mrs. J. H. Russet. 


MLLE. ROSA BONHEUR 


Frencu: 1822—1899 


[| 192 No. 68—LIONESS (Ohta te re 


Mee iord Height, 361 inches; width, 83014 inches 


A HUGE lioness, of heavy build, is viewed close at hand, lying 
down but with head erect, only part of the body seen. The 
body curls forward from the right, and the head is turned 
toward the right, three-quarters front. The tawny coat and 
grayish, whiskered mouth, and the strange, baffled gaze of 
caged beasts of the wild are carefully studied, with the varying 
values of the rich coat, in a strong light. Sky background. 


Signed at the lower right, Rosa BonHEDR. 4 
On the back the official seal: Vente Rosa Bonuevr, 1900, #1: LG ag “nes 
T'o be sold to close an Estate. 


JEAN LEON GEROME 
Frencu: 1824—1904 


No. 69—SADDLE BAZAAR, CAIRO 940 


este Pa) e 1 ° 3 e k B . 
y, KF. oy) Height, 321, re ee (ree 


AN aged merchant, with white beard and hair, black skull-cap; 
and wearing a blue gabardine, leans from his window on the 
right, in the foreground, his experienced features seen in pro- 
file, considering a transaction with a brown-skinned turbaned 
man who is dickering for trappings for his already brilliantly 

_caparisoned horse. The horse is sleek and white, with mane 
and tail dyed a light coral. He stands athwart the picture, in 
front of a building with pillared portico, the facade marked by 
broad lateral stripes of gray and dull reddish-brown. His 
owner is clad in many hues, with daggers stuck through his 
belt, or sash. On lines above and the ground below the mer- 
chant’s window are various objects of saddlery. 


Signed at the lower right, J. L. GeRome. 


From the James A. Garland sale, London, 1909; Catalogue number 49: 44h~- 0-0 | Sasesperty ) 


eda 


Owner, Mituarp F. Tompkins, Esq. Y 


RAIMUNDO DE MADRAZO 
ce, O = ~ Spanisu: 1841—_ 


i No. 70—THE FAMILY ALBUM — 
SOI), aaa Heiijht, 82% inches: whith 26 ane 
ee UV 


Leanine back lazily in an armchair upholstered in light blue, 

a young woman gives herself to the mild diversion of looking 
casually over the family album of photographs. One she has 
taken out and holds in her hand, while looking with a dreamy — 
smile at the spectator. She wears a loose light waist low at the 
neck, with mauve-pink ribbons, and a dark blue skirt, and in ~ 
her brown hair are red flowers. . 


Signed at the upper right, R. Mavrazo. 


From the late Hon. Henry Hilton sale, New York, 1900, # 1G 8 : psi 
Owner, Mrs. J. H. Russet. (#. ay) 


THEOPHILE DE BOCK vir 
Dutcu: 1850—1904 


No. 71—LANDSCAPE AND COWS 


ce eS Height, 3834 inches; width, 2744 inches, Ye theA 
THE corner of a pond comes into view on the left, with a yellow- 
green low hillside bounding it in the middle distance, and reedy 
grasses coming up through its shallows in the foreground. On 
the right a wandering path or road skirts the water, between 
Imes of slender birches that seem to mark the entrance to a 
wood. Here brown, black and white cows are seen, cooling 
themselves in the shadows. 


Owner, Mrs. J. H. Russe. Bes FE ie 
L bs ig 


BERCI-K ARLOVSZKY 


Poxuisuo: CONTEMPORARY 


40° No. 12—THE QUARREL 
Pa 
ee : 2 | 


ee ge Height, 3134 inches; ee inf us ley ; 


A COUPLE in young middle life have been having coffee and 
have disagreed,—a case of diverging “temperaments,” he, full 
bearded and wearing the art student’s low collar and soft 
black tie, leaning back with smiling and complaisant assurance 
of his correct superiority, she, with abundance of rich red hair, 
turning her back upon him, supporting her head on her hand, 
elbow on the table. He is in brown with a gray waistcoat, she 
in a light blue house robe trimmed with white, over a yellowish 
skirt or petticoat. In front of the table a hound, which has fin- — 
ished its own meal, stands puzzled and expectant. On the white- 
covered table are fruits and flowers, and the wall background 
is of mahogany tones, with studio drapings in rich low notes. 


Signed at the lower right, Berci-Karwovszky, Parts, *83. 


Owner, Mrs. J. H. Russewu. 


a 
Lowry 
5 * a 


JULIAN RIX 


AMERICAN: 1851—1903 f Deo beg a 


No. 73—ON THE DEEP 


Height, 30 oe of 40 inches ; 
S00 | aa 
AT the left the high starboard bow of a sailing ship méving from 
the spectator cuts into the picture, a man visible well(forward on 
her deck. To the right of her, high-tossing waves lift foam- 


ing crests irregularly above the horizon line, and beyond them 
the ocean spreads far under a light, greenish-blue sky. 


Singed at the lower right, Jutian Rix. 


Purchased at the sale of the works of the late Julian Ria, 1918: 7 776 : f 160 = [%. 464 Uline } 


By order of Freprerick P. Detarieip, Esq., Attorney for Owner. 


ALBERT BIERSTADT, N.A. 
AmeERICAN: 1880—1902 


No. 74—SUNSET AT THE LAKE 
uh aa Height, 30 inches; length—50 (Oo Le 3 
A LAKE with mighty pine-crowned cliffs rising sheer Tarts 


edge in the left foreground sweeps to the right toward the dis- 
tance, its farther shore showing rounded hills against a blaze ~ 
of warm red and yellow color in a sunset sky. High aloft some 
cirrus clouds are turned to fiery red, and beyond them the moon 
appears, a white crescent, the full orb dimly outlined. 


Signed at the lower right, A. Bierstant, ’67. 


Owner, Louis A. Bipp1e, Esq. 


( ae Mee Sl cight apt aio i. 47, inches A : 


AN open wood extends across the middleground of the pic- 


ee 
\ aN ah 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


No. —THE STAG HUNT 


ture, becoming more dense toward right and left while through 
the center one looks between the trees to open country, and two 
figures on horseback are observed in the shadows of the wood. 
The foreground is open, and the side of a pond comes into 


view. At the water’s edge a pack of white and brown hounds 


have brought a stag to earth, after one of their number has been 
killed, and the bugler, riding up, winds his horn as signal to’ 
the hunt. A gun carrier with a lash whip runs up from the 
left to call off the dogs, and another attendant on the right has 
two more eager dogs in leash. 


Signed at the lower left, N. Diaz, 1846. 


Owner, Mitiarp F. Tomrxins, Esq. ( 
aa ee 
ae Bee 


BLAISE ALEXANDRE DESGOFFE 1G 6 
; Frencu: 1830—1901 


No. 76—STILL LIFE 


we 2 es Height, 46 inches; width, 35 a es eee 


A CARVED rock crystal cup mounted in me standing before a 
mirror, an ornate ewer, a tall repoussé gold standing cup, a 
classical bust, a jeweled dagger, dahlias and other flowers and 
still more ornaments are seen on a deep red drapery against 
brown wood carving and walls marbled in grayish blue and yel- 
low panels. Allin rich and glowing varied colors with brilliant 
surfaces. 


Signed at the lower left and also on the bust pedestal, BuaisEe 
Descorre, 1886. 


Property of a lady. 


2,3 ADOLPHE MONTICELLI 


oor — Frencu: 1824—1886 : } | aan 


No. 77—FIGURE GROUP i 
On the carved stone stairway of a eo: four per- 
sons have gathered, a young woma lds a pet bird and 
another who is directing her attention to something in the gar- 
den not seen by the spectator, a third who glances down over 
the balustrade—these all standing—and below them a bearded 
man seated on the steps, playing a lute. All are in rich cos-— 


tumes. Over the railing and along the steps green Be flour- 
ishes, and the sky is a mass of smoky-gray clouds. 


‘ So page Sea 
ae No wm 


S Bie = Height, 6614 inches; wt 


Property of a lady. 


fe young DUKE AND HIS 


} 
q 
; 


SIR EDWIN HENRY LANDSEER, R.A. 
Bririsu: 1802—1873 


No. 78—THE YOUNG DUKE AND HIS DOGS 


bes 
A SMALL boy with large eyes and long curly hair which falls to 
his bared shoulders is seated on the ground and seen in profile 
to the right. He is dressed in black and green velvet, with a 
red scarf over his shoulder, and wears short half-hose of Scotch 
plaid, legs and arms being bare. Beside him is a large yellow 
straw hat with a deep black band, and a large hound is seated ~ 
on its haunches with forefeet planted on the hat’s brim. Ly- 
ing on the opposite side, in the shelter of the boy’s arm, a 
smaller shaggy-haired dog looks up with some concern at the 
larger animal. Conventional landscape background. 


Height, 50 mches;length, 591 in 


Property of a lady. 


JULIUS SCHRADER 
German: 1815—1900 


No. 79—QUEEN ELIZABETH SIGNING THE 
DEATH WARRANT OF MARY STUART 


uo rd ge Height, 62 inches; sie 481 Oe es 

THe Virgin Queen is seated, leaning 1G. ina Vrs hie 
upholstered chair with deep mauve-pink cushions, faemg the 
right with head turned slightly toward the front. She is look- 
ing downward in sober perturbation and sore unease at the 
inevitable task. Across a table beyond her her great minister 
stands in formal robes of red and black, bending forward with 
hand on chest and extending the instrument of death on the 
table. Behind him are two men. The Queen is in robes of 
golden-buff and emerald-green, heavily jeweled and embroid- 
ered. Her corsage is low and she wears the characteristic ruff. 


Signed at the lower left, Jutius Scuraver, 1870. [187 b ce 


For a number of years on exhibition in the Metropolitan Museum ae 


Art, data L.190 4 # G7 1%. [Feebonelf g Une. Vn. F eurtenioh 2, Sens. 
Reproduced in the London “Graphic,” panne 4, 1911. 
By order of Messrs. Hunt, Hitt & Berrs, Attorneys for the Owner. 


SIR PETER LELY 
GerMAn-ENetisu: 1617—1680 


(oor No. 80—JEANNE LOPEZ DE TOLEDO 


VHD Height, 73 inches; oe df hes be 


FULL-LENGTH portrait of a handsome, placid oe very human 
young woman, whose bright brown eyes regard the observer 
squarely, without giving denial to the smile that lurks about 
her small mouth. She is pictured on a balcony, with a rich 
crimson drapery at the left, and on the right a background of 
sunset sky and dimly seen greenery of hillside or foliage. Her 
gown is of rich dark greenish tone, lined with a golden brown, 
over a white satin underskirt gold embroidered; the bodice is 
pointed, and jeweled at the girdle, and the sleeves are slashed, 
and tied with yellow. A moderate ruff is edged with leaf- 
pointed lace, which continues as a border about the low corsage. 
The young lady has wavy chestnut hair fetchingly dressed, 
wears a wealth of pearls, and carries a gray and black ostrich 
feather fan. At the lower right is a coat of arms. 


To be sold to close an Estate. 


AMERICAN ART ASSOCIATION, : 
. MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


ee: SE 


_—_ 


‘THEIR WORKS 


REPRESENTED 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS» 


CATALOGUE 


NUMBER 
ALMA-TADEMA, Str E. Lavrenz 
The Sculptor’s Studio 43 
BAYLISS, Sir Wryxkr 
Siena Cathedral 3 65 
BERAUD, Jan 
An Evening Party 32 
BERCI-KARLOVSZKY 
The Quarrel 1 
BIERSTADT, Apert, N.A. 
Sunset at the Lake TA 
BLAKELOCK, Rateu Apert, N.A. 
Moonlight 62 
BOCK, THEOPHILE DE 
Landscape and Cows “Al 
BOGERT, Grorcet H. 
Approaching Storm 33 
Moonlight 64 
BOLDINI, Gtovann1 | 
Gathering Wild Flowers 18 


BONHEUR, Mute. Rosa 
Lioness ; 68 


CATALOGUE 
NUMBER 


BOUGHTON, Gerorcet H., N.A., B.A. 


English Landscape 54 
BOUGUEREAU, Wituiam AnboLrHE 

Faun and Bacchante 45 
BRETTON, JuLres ADOLPHE 

Sleeping Peasant Girl 50. 
BRIDGMAN, Freperickx A., N.A. | 

Checker Players 67 
CHURCE, Eo S2 N41. 

Mother’s Return 49 
COROT, JEAN Baptiste CAMILLE 

L’ Etang 17. 

At the Brook 20 


DAGNAN-BOUVERET, P. A. J. 
An Ideal Head — 24 


DAUBIGNY, CHar.rs FRANCOIS 
Landscape: The River 'Thames wee 


DECAMPS, ALEXANDRE GABRIEL 
Interior 10 


DELPY, Hrrerotyte CAMILLE 
Landscape with River 22 


DETAILLE, Enovarp 
The Bugler staré 


DESGOFFE, BriatsrE ALEXANDRE 
Still Life 76 


DIAZ DE LA PENA, Narcissr VirciLe 
Presents of Love 
The Stag Hunt 


DIETERLE, Marte 
La Vache Blanche 


DUPRE, Juzs 
Landscape 
Chateau de Gournay-sur-Aronde (Oise) 


FROMENTIN, EuGENE 
The Falconer 


GEROME, Jean Lion 
Fayoum 
Sorrow of Akubar 
Le Marabout 
Moorish Bath 
Unfolding Holy Flag 
Roman Women Bathing 
The Tomb of The Sultan 
Jew Praying at Solomon’s Wall 
Curtius Leaping into the Gulf 
At the Sultan’s ‘Tomb 
The Sentinel at the Sultan’s Tomb 
Saddle Bazaar, Cairo 


GROLLERON, Pavut Louis NaArcIssE 
Picket Duty 
Over the Wall 


HARPIGNIES, Henri 
The Farmhouses 
Landscape 


CATALOGUE 
NUMBER 


4.0 
75 


61 


CATALOGUE 
NUMBER 


HASSAM, Curing, N.A. 
Nocturne | 26 


ISRAELS, Joser 


Fallen Asleep 19 
JACQUE, CHARLES EMILE 

Sheep in Stable 28 
JACQUET, JEAN GUSTAVE : 

Ideal Head Al 

Portrait of a Young Lady AT 


KNIGHT, Dante. Ringway 
Path by the River | 51 


LANDSEER, Str Epwin Henry, R.A. 
The Young Duke and his Dogs 78 


LELY, Sir PETER 
Jeanne Lopez de Toledo 80 


LEPINE, STANISLAS 
By the Side of the River ibs 


LEYS, Baron HeEnrI 
Erasmus Dictating to his Secretary ii 


MADRAZO, Raimunpdo DE 
On the Staircase 42 
The Family Album 70 


MARCKE, Emute van 
Landscape and Cattle 38 


CATALOGUE 
NUMBER 


MELCHERS, Gan, N.A. 
Waiting 63 


MESDAG, HeEnprik WILLEem 


Marine 35 


MONET, CLaupE 
By the Sea 56 


MONTICELLI, ApoLrHe 
The Empress Eugénie and the Artist, in his Studio 31 _ 
Figure Group V7 


MORLAND, Grorcr (Attributed to) 
Landscape with Figures 2 


PETTENKOFEN, AvcustE von 
Hungarian Peasant Wagon 11 


RAFFAELLI, Jean Francois 


On the Boulevards 25 
RIX, JULIAN 

Landscape 52 

Mnethe Weep... 73 


ROUSSEAU, 'THropoRE 
The Oaks 12 


SCHRADER, Jutius 
Queen Elizabeth Signing the Death Warrant of 
Mary Stuart 79 


CATALOGUE 
NUMBER 
SCHREY ER, Apboir 
Weary Horse 8 
Arab Horsemen 13 


SMILLIE, Grorct H., N.A. 
Looking over Little Harbor, Cohasset, Massa- 
-chusetts 34 


SMITH, Henry PEMBER 
In the Country 3 


SWAN, Joun M., A.R.A 
“Les Deux Amis” (Lion and Dog) : 4 


THAULOW, Frirz 
The River aie 


TURNER, J. M. W., R.A. 
The River Wye (No. 48 in the Liber Studiorum) 


Or 


WILLIAMS, FRepERIwK BALLARD 
Block Island ——«#BD 


ZIEM, Feurx 
_ Constantinople | 23 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


Pepe SALES ARE EFFECTED 


A NOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW YORK 


TELEPHONE, 3346 GRAMERCY 


a 


eo 


ae. vi: COMPOSITION, PRESSWORK 
; AND BINDING BY St 


i 


~ 
Bae F-, 
*/ 


eR RE Sn Avast tance =. | oP eee 
oie | ; . ' 4 tos . 


Sn eee ae ; 


a I MN 


naan 


CHI INSTITUTE 


WUE i. 


3 3125 01663 0705 


heels 


adi tatalee 


I : its i 

: soe stelbi piss ; 

: Fase ir ahtatbn bea bie hint 
t stittnateibiesteenaeattees setae Weta iets Aaa 


Peep ateeh ont peat eH es apeeat poet sean F 
HCH ey RGNGA Ran eat 
ath me me ‘ ae ” ca 

t i 


i) 


oe Ee ae ee 


en learn a 


eat 


a st 
Ht eth 


isi 
rl 


